PRESS

 

YOUR CLASSICAL - MARCH 2025

Simone Dinnerstein performs Ives through the lens of her father's art.


PHILADELPHIA INQUIRER - FEBRUARY 2025

On Wednesday evening, pianists Awadagin Pratt and Simone Dinnerstein took the stage at Perelman Theater for a recital that found balance and symmetry among worlds of contrast.


GRAMOPHONE - DECEMBER 2024

The Eye Is the First Circle album review


SUNDAY BAROQUE - MARCH 2024

Simone Dinnerstein joined Suzanne to talk about what makes Bach’s music so important, her ensemble Baroklyn, and her longstanding Bach Concert Series at Miller Theatre at Columbia University, which begins in late March 2024.


THE CHRISTIAN SCIENCE MONITOR - SEPTEMBER 2023

How a classical pianist reinvents herself in major and minor ways


Amadeus Magazine - June 2022

A few weeks ago the American pianist Simone Dinnerstein performed the Goldberg Variations in the Miller Theatre of New York.

Translation for this article available here.


La JORNADA - jUNE 2022

Simone Dinnerstein recorded her debut album in 2007. Now she offers Undersong, an album faithful to her poetic spirit.

Translation for this article available here.


NY 1 - JANUARY 2022

How a case of insomnia led to a Grammy nomination


NPR’S ALL SONGs CONSIDERED - JANUARY 2022

New Music Friday: The top 6 albums out on Jan. 21


Cultural Attache - JANUARY 2022

Pianist Simone Dinnerstein Completes Her Pandemic Trilogy


quasi-faust - December 2021

Dinnerstein shines as both pianist and conductor with ProMusica


The Philadelphia Inquirer - NOVEMBER 2021

Expressive and thrilling, Simone Dinnerstein performs Bach and Glass with the Chamber Orchestra


NJARTS - OCTOBER 2021

Simone Dinnerstein debuts ambitious multimedia work at Montclair State


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NPR’s All Things Considered - OCtober 2021

Pianist Simone Dinnerstein illuminates a lifetime in art with a new multimedia concert


Seen and Heard International - September 2021

Simone Dinnerstein plays Danielpour’s An American Mosaic at Brooklyn’s Green-Wood Cemetery


The Boston Musical Intelligencer - September 2021

Brilliant and Barefoot Pianist Wows Rockport


1A on WAMU/NPR - JUNE 2021

‘An American Mosaic’: A Classical COVID Tribute


Bbc Music magazine - may 2021

15 Unwanted Studio Noises


The New Yorker - April 2021

An American Mosaic Review


textura - April 2021

An American Mosaic Review


Your classical - march 31, 2021

Simone Dinnerstein Makes the Most Out of Lockdown


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Concertonet.com - February 6, 2021

Duke Performances’ “The Show Must Go Online!”


BBC Music Magazine - January 2021

Music That Changed Me


The new yorker - september 18, 2020

A Character of Quiet Review


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NPR’s all things considered - september 15, 2020

‘A Character of Quiet’: Music That Speaks To A Sense Of The World Slowing Down


Classical mpr - september 30, 2020

Simone Dinnerstein Shares Her ‘Character of Quiet’


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Crescendo - december 5, 2020

A Character of Quiet Review


concerti - October 24, 2020

Time and Silence: Review of Simone Dinnerstein’s A Character of Quiet


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Concertonet.com - september 23, 2020

A Character of Quiet Review


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Classical voice america - september 30, 2020

Dinnerstein Probes Depths of Stillness in Schubert, Glass


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wqxr - September 18,2020

In Conversation with Simone Dinnerstein


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Seattle pi - september 15, 2020

A Character of Quiet Review


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music city review - september 10, 2020

From the Intimacy of Quarantine, Simone Dinnerstein’s “A Character of Quiet”


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Klassik radio - september 4, 2020

Music Against the Division of the USA: Simone Dinnerstein on the Music Scenes Overseas and Her New Album


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Online Merker - August 19, 2020

“A Character of Quiet” - Simone Dinnerstein Plays Music by Philip Glass and Franz Schubert


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the New York times - december 13, 2019

Dancing to (and Around) Bach


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the new criterion - december 13, 2019

Silver and Gold


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Worcester Telegram - February 10, 2019

Simone Dinnerstein, A Far Cry Present Remarkable ‘Goldberg Variations’


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The Washington Post - december 7, 2018

A Spellbinding Concert from Pianist Simone Dinnerstein


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The New York Times - October 13, 2017

Who’s Afraid of ‘Goldberg Variations’? Not This Choreographer.


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The Wall Street Journal - September 27, 2017

A More Concise Philip Glass


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The Washington Post - june 11, 2017

A Brooklyn Pianist Who Can’t Speak Spanish Brings a Cuban Orchestra to the United States


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The Boston Globe - June 8, 2017

For Pianist, Cuban Partnership Proves Fruitful


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The Boston Globe - February 21, 2014

‘Bachpacking’ and the Lure of the Inventions


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The Telegraph - March 17, 2013

Simone Dinnerstein and Tift Merritt Cross Musical Boundaries


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The Los Angeles Times - June 17, 2012

Simone Dinnerstein — Classical Music’s ‘Wandering Bard’


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The New York Times - August 28, 2007

How Do You Move a Career Into High Gear? By Breaking the Rules